This experimental large-format photography project utilizes 4x5 film and a wooden pinhole camera, exploring the boundaries of traditional photographic control. By pressing the pinhole camera against a moving car window and exposing the film over extended periods, I intentionally surrender precision and predictability, embracing spontaneity and chance. The resulting images evoke a dreamlike quality, often suggesting abstract or vague representation of landscapes, capturing a surreal and atmospheric perspective on motion and environment. This work challenges conventional notions of composition and clarity, emphasizing creative openness and the poetic potential of analog processes.
